After a polite introduction – what’s happenin’? – he moves on to thornier questions. What was on Gaye’s mind? Nothing particularly trivial. Many of them inhabited the part of the Venn where the personal and the political overlap, a voguish idea in the late-1960s, and the seed of what later became identity politics. Some of these were personal, some were political. ORDER NOW: Paul Weller is on the cover in the latest issue of Uncut.The album is a religious thing, but also an inquiry into the notion of faith. At the same time, its rhythms, and the timbre of Gaye’s voice, reach for something universal a kind of peace, the reassurance of timelessness. ![]() Structurally, it has the shape and logic of a sermon, sounding both urgent and relevant to the turmoil of the moment. Fifty years on from its initial release, Marvin Gaye’smasterpiece still sounds like an argument wrapped in a dream.
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